Last year marked the 65th anniversary of the founding of Zagreb Film, which for a few decades was home to one of the premiere animation studios on the international scene. The Zagreb School of Animation was distinguished by its emphasis on an artist’s unique vision, its variety of approaches to filmmaking and design, its deliberate use of stylized animation, its experimentation with unconventional soundtracks, and, perhaps most crucially, its focus on making fun of the absurdities, foibles, and cruel realities of life from the little man’s perspective.
To continue this blog’s previous ill-fated format of Capsule Reviews, I will try to discuss the films of the studio’s most visionary artists over a few articles. For this first entry, I will focus on the three great directors who defined the studio’s early years, namely creative leader Dušan Vukotić, live-action filmmaker Vatroslav Mimica, and modern artist Vlado Kristl. Owing to the sheer volume of films, I may not go quite as in-depth as I have in previous articles; nevertheless, I would like to shed some light on an important corner of animation and film history that is, alas, largely neglected among general audiences nowadays. A few reviews, labeled with [popka], have been written by my dear friend Benjamin Wang; additionally, in a change from this blog’s previously-exclusive focus on animation, we have discussed some of Vukotić’s and Mimica’s live-action films, as they were very much a continuation of their work in animation. (more…)